I usually really love Christmas, with all that it implies, but for some reason, this year I am having a really hard time getting into the spirit of things. So I thought, "I wonder what fun Christmas items I can find in the area of Bollywood youTube?" but my search didn't turn up much (except for one bit that looked extremely offensive). However, I found something that ticked my funny bone in an entry to Shah Rukh's Dance Pe Chance contest last year:
As I wind up to host a pre-Christmas family dinner tonight, I just wanted to wish all of my friends out there in blogland a very merry Christmas.
शुभ क्रिसमस
Śubh krisamas
With Christmas approaching dangerously fast, school concerts, Christmas parties, and trips to overcrowded malls have seem to taken over my blogging time. However, there's always time for movies, so here's a couple of quick looks at what I've been watching.
The Namesake
Mira Nair has created a fantastic slice of life film portraying an NRI couple as they create a life and raise a family in the US. The first movie I've really seen with Tabu in any kind of substantial role, I was blown away by her. I think I read once somewhere that Rani was considered for this movie, and, don't get me wrong, I love my Rani, but I can not see her in the role of Ashima for one second. Really the acting from the entire cast was genuine and believable, even Kal Penn (in a role that doesn't require finding White Castle).
fantastic script, fantastic cast, outstanding story. Nuff said.
Bhool Bulhaiyaa
The first Bollywood "spook" movie I've seen revolving around a vey superstitious community that believes the town's royal mansion is haunted by the spirit of a wronged Kathak dancer. The film houses a large ensemble cast, but the film clearly belongs to Akshay Kumar and Vidya Balan. Shiney Ahuja, Amisha Patel, and a host of others have smaller roles.
What I liked: the suspense is believable, as is the explanation of it all. The soundtrack is a clear winner, with a good combination of love songs (Labon Ko) to upbeat dance numbers (Lets Rock Soniye, Bhool Bulhaiyaa title track), to classical fare (Mere Dholna), with picturizations that fit the movie very well (especially Vidya in Mere Dholna with it's fantastic dance sequence - quintessential Bollywood!).
What I didn't like: The movie feels like it should have ended a good 20 minutes before credits role, however, we do get to see a very creepy scene with Vidya that makes up for it, but then the actual ending seems both too neat and unfinished for me.
Chandni Chowk to China
I get a lot of flack for taking up space on the pvr with my movies, so I thought I may as well watch this one, which I recorded during Diwale. I seem to be on an Akshay kick lately, and even though I've heard not very many good things about this one, I invited my sister over and reved up to watch the East meet the South East.
For those people who enjoy action films (and I do), it definitely offers a fair amount right from the opening scene, whether it's a bit of kungfu or the all important training montage. Even the chicks get in on the action, however any kind of girl power exhibited by Deepika's Meow Meow character gets nullified by her ridiculous Miss TSM character. The title track is catch, and the beginning of the picturization is comical. Akshay tries his best to help the movie along, but his character is so completely hapless in the first half you just kind of shake your head. At least, once he begins to rise to his responsibilities, Kumar’s performance becomes more restrained and appealing and you get to see him without his shirt on for a while! ;)
Love the vamp look!
Completely all over the place, but enjoyable if you can manage to keep your brain turned off.
Life Partner
I bought this because of a song (big surprise), but what I got was a mixed bag of marital woes. It is a story of three men and the women in their lives. Fardeen Khan plays a man who wants to marry for love and has it in girlfriend Genelia D'Souza; Tushaar Kapoor belongs to a traditional family and thus, believes he'll find love in an arranged marriage; divorce attorney and self-proclaimed ladies man, Govinda is a commitment phobe who revels in procuring his next case. All is fun and games until "I do's" are exchanged and then all hell breaks loose.
Though the film does have some genuinely funny moments, the ignorance and selfishness of some of the characters was enough for me to rip out my hair. Genelia's character is 100% self-absorbed and clueless (a deadly combination and one that gives woman a bad name). I liked her in JTYJN, but in this film her irksome act irritates beyond the boundaries of her character and her nagging gets on your nerves. Poor Fardeen Khan looks literally harrowed. Tushar's character, while definitely sweet, is completely spineless and takes the side of his demanding father-in-law (Darshan Zariwala), who is not only chauvinistic but also has disparaging unapologetic opinions that include management graduates from IIM-Ahmedabad work as waiters in South Africa (though I bet had the graduate in question been a man his assessment would not have been the same).
Amrita Rao comes aboard with a snazzy item number, and the climax includes a bomb set to explode in 5 minutes, which is just about as long as it takes to set everything right in the world of love and marriage. Watch if there's nothing else available.
OMG!!!!!!!!!!!!!!!!!!
Okay, now that I'm calmed down just a little, here's the first trailer for Karan and Shah Rukh's My Name is Khan! I can't help but be overwhelmed by the anticipation and excitement of it all and if the trailer is anything to go by this movie is going to be AMAZING!!!!!! Not a terrorist movie necessarily, as some predicted it would be, but a look at what 9/11 did to the regular muslims in America and how it perhaps changed their lives forever, with a little sideline about what life is like for people with Asperger's.
I'm not embarrassed to say that the trailer made me tear up a little.
February 12 can not come fast enough!!!!!!!!!!

Upon seeing the first pics of Rani and Shahid for this film, I thought this was a movie that was going to sum up everything I enjoy about romantic comedies. Usually I know I'm going to enjoy a rom-com before the opening credits even start, but at the end of it all I just kind of felt a little *meh*. There's been a couple of really great reviews on this film lately that delve deeper than the surface and look at theories such as "the sari point" over at Beth Loves Bollywood. Here's my take.
Rani Mukherjee shines in her media induced "comeback" (sorry Indiatimes, et al - in my books Rani has always been in fine form), as Veera Kaur, the small town girl who has big dreams of making it in the male-centric world of cricket. Realizing she has no chance to make it to the World Cup, she decides her only hopes to do so are to become male batter extraordinaire Veer Pratap Singh and try out for the local team set to play a yearly match against Pakistan. As Veera, she is the right combination of feisty and sexy and you want her to be successful in her endeavor. Veera's alter ego, Veer, is fun to watch but seems to have been created more for laughs than for any sexual tension it should have produced. Through it all though, Rani plays both roles with gusto and looks like she's having a good time doing it.
Playing Rohan, Shahid Kapoor is the captain of a English country cricket team. He returns to India to coach his father's cricket team, which has consecutively been losing the Aman Cup to Pakistan for the past 8 years, but only after his father fakes a heart attack to get him there. Classy. I usually enjoy Shahid's performances (though I've seen very few), but I found him almost completely expressionless for most of this movie. However, he does make up for it a little bit with some impressive dancing to compensate for his lack of acting ability (sorry Ajnabi!). Also it's easy to sometimes looks past the flaws because the man is so damn gorgeous. However, take a note: Shahid, seriously, if you are looking to shed the Shah Rukh Khan comparisons, doing a DDLJ reenactment is not going to help!
I suppose it wouldn't be a Yash Raj Film if we didn't have an amalgamation of themes all stuffed into one very colorful celluloid package. Anurag Singh gives us a plethora of plot elements (romance, sports, nationalism), but where I think the movie fails is in the execution of it all. The storyline is basic and certainly doesn't really offer us anything new, the romance between Rohit and Veera falls flat, the addition of Sherlyn Chopra and Rakhi Sawant contribute nothing to the film, and the climax is completely understated. I suppose the revelation of Veera's secret could have been way over done, but it's almost too subtle and you don't really get that big reaction that would then, of course, lead to the big reconciliation - even if I didn't buy their "love" to being with. However, I suppose Singh does deserve a shout out over trying to appeal to the ladies in the audience with an elaborate speech on women's rights.
Still cute though, na?
I liked Pritam's music in the film though, quite a lot, but anything that has a good bhangra beat to it is going to get my attention. Even the standard love song made it to my ipod. My fav's of the film are Bhangra Bistar, Ishq Hi Hai Rab, and Hadippa - the remix (good lord, Rani looks fierce and Shahid is GORGEOUS! -I could watch that man dance for hours!)
I was going to do this as a mini review (along with three other movies that are waiting to make there way onto the blog), but I guess I had more to say than I thought. Coming up: The Namesake, Bhool Bhulaiyaa and Chandni Chowk to China.
We are going to finally get a glimpse of My Name is Khan. Well, that is if you have access to any of the STAR networks. Shah Rukh will be showing a promo for the movie on December 16th at 10 pm (India time I'm guessing). I'm crossing my fingers that B4U will have it, but I don't think it belongs to the same network so I'll be looking for it on youtube and posting.
Check out the new commercial for his Dishtv ad. Even as an aging man he's still handsome and charming and the commercial is totally adorable.
And lastly, an interesting news article about how Shah Rukh wants to conquer the porn industry. Even though it was in gest I can't say I wouldn't want to see that. What a cruel joke.
This is not your typical cookie cutter family drama, masala piece or love story that generally makes up the majority of the Bollywood industry, and it certainly isn't like any movie I've seen so far. Oh sure, it does have a little bit of love story, but there is so much to this movie that is far beyond what I've been exposed to in Hindi cinema so far that I almost felt like I had to do oodles of research just to really understand what I'd seen.
The main vein of the film follows Mahadev (Shreyas), the only educated person in Sajjanpur. Mahadev, an aspiring writer, quickly realizes he can use his literary skills to make money reading and writing letters for the villagers, thus creating all sorts of opportunity for him to become entangled in their lives for good and for bad. Though Mahadev is used as the common link in the movie, Welcome to Sajjanpur is totally character driven, with each of the supporting characters given their own little piece of the pie. We see Yashpal Sharma as the scheming politician, the superstitious mother (Ila Arun) who's desperate to get her daughter married despite her bad stars, a eunuch (Ravi Jhankal) venturing into politics, and a Compounder (Ravi Kishan) crazy in love with a widow (Rajeshwari Sachdeva). Mahadev's personal story is that he falls for a childhood friend, the ever alluring Amrita Rao, whose husband is in Mumbai trying to earn money to bring her there.

Turn away now to miss the spoilers:
While each of the performances had their pluses, it really was the subject matter that held my attention the most. What is a eunich? Do people really marry their daughters off to dogs? Is it so hard to earn a living that one needs to sell their own body parts just to make ends meet? It seems as though Benegal has tried to fit as many social issues as he could into this varital sociological buffet, even approaching widow remarriage, which needlessly culminates into tragedy with an unexpected and unexplained honor killing.
Done with the spoilers.
For the most part, Welcome to Sajjanpur is a fun movie. The fast paced songs are catchy, the acting is done in fine form (with Shreyas being my favorite of the bunch), and the movie looks good. My only real disappointment with this film was the abrupt ending. We get a very convenient wrap up of everyone's stories, mostly with happy endings. Even Mahadev gets his happy ending even if it comes out of nowhere and then before you know it the credits are rolling.
Found this on youtube today. Not 100% sure if it's really going to be in the movie, but it's by Jal, and I liked it. If it is a song from the movie I don't imagine it will be situational. It definitely sounds like more of a background song, possibly underneath some serious movie moments.
What do you think?
Anyway, it according to my facebook countdown, we are 2 months and 9 days away from the big release. I read that there is a preview of the film at the beginning of the James Cameron movie Avatar which I am not interested in seeing but almost want to go just for the trailer! I'm crossing my fingers that that means I'll get to see it on my home turf.
I know these aren't new pics, but because I haven't posted any of him in a while, here's a few that I finally found and got to see from the India Vogue shoot with Kajol. 


